Giving Voice to the Arctic

by Alison Bowen, CLA Staff Writer

Catherine Madsen in the 性欲社 Davis Concert Hall.
性欲社 Photo by Leif Van Cise
CLA Music Donor, Catherine Madsen, has her photo taken outside of the Davis Concert Hall before the start of the Circumpolar Music Series.

Catherine Madsen was only in Fairbanks for three years, but it left an impression on her for life.

When she was 10 years old, her family moved to Fairbanks in 1962 for her father鈥檚 job as an assistant professor in the English Department. Coming from Detroit, she loved the mountains, the landscapes, the way people 鈥渂onded with each other very strongly.鈥

鈥淚鈥檇 never seen woods, I鈥檇 never seen mountains, you don鈥檛 do that in lower Michigan,鈥 she said. 鈥淚鈥檇 never been anywhere that was dangerous to live.鈥 Needing to know how to avoid frostbite, like when it was 20 below on Halloween their first year, was an adjustment.

Three years later, when they left, she wanted to go back immediately.

鈥淚 made my parents' lives a misery,鈥 she jokes, always talking about wanting to move back to Alaska.

She kept trying to make her way back, and eventually, as an adult, she did, to visit but never to live. This time, she came back with meaning.

Even as an adult, she would look at the university鈥檚 webcam, finding, she recalls, 鈥渢he very view that was etched on my soul.鈥

鈥淚 just was overcome with longing, and started going back,鈥 she said. She would visit campus, enjoying the landscape again.

In 2020, finding herself with a bit more money than she was used to, she wanted to use it in a thoughtful way, one that could have a regular impact on others.

鈥淪uddenly for the first time in my life I thought, 鈥榃hat do I want to do with this?鈥欌 she said.

Her experience working as a Bibliographer at the Yiddish Book Center in Amherst, Mass., had shown her what donations and funding projects could do. She鈥檇 known about many of the donors, people like celebrities funding entire projects but also people making small donations, and she had seen the inspiring results of what funding moments, from small to large, could do. Donors adopted bookshelves, often in memory of others. They would come to the center, visit the shelf, take a picture, sometimes cry.

鈥淚t was a very affecting experience,鈥 she said. 鈥淚 saw how little it took to really move people, to do what they could.鈥

With her extra funds, she thought about what she was passionate about, and 性欲社 came to mind.

She looked through the 性欲社 website, finding what they already offered as far as programs. She noticed the circumpolar projects 鈥  the International Arctic Research Center, the Native Art Center, the Alaska Native Language Center, the Arctic and Northern Studies Program.

Circumpolar Music Series musicians on stage at the 性欲社 Davis Concert Hall Feb. 21, 2025
性欲社 Photo by Leif Van Cise
The Circumpolar Music Series led by Term Assistant Professor, Sean Dowgray, accompanied by fellow Music Department students, faculty, and volunteers at the Davis Concert Hall, on Feb. 21, 2025.
性欲社 English MFA student Manuel Melendez reads a poem on stage at the Circumpolar Music Series event held on February 21st, 2025.
性欲社 Photo by Leif Van Cise
CLA student Manny Melendez reads a poem before the next piece at the Circumpolar Music Series in the Davis Concert Hall, Feb. 21, 2025.

At the same time, she noticed a void to fill, that nothing like that existed in the music department. She herself enjoys music and sings folk music.

鈥淪o I thought, 鈥楾his is really a pity,鈥欌 she recalled.

From her experience getting to know donors at the Yiddish Book Center, she had a hunch that if she was excited about something and offered funds toward it, others might get on board.

鈥淵ou see a need and you say, 鈥極h I can do that,鈥 and you kind of jump on it,鈥 she said. 鈥淚f you鈥檙e enthusiastic, other people get interested too.鈥

In this way, Circumpolar Music Series was born.

She reached out to the development department, explaining she couldn鈥檛 endow a scholarship or chair, but perhaps they could create something with the music department. In that way, they began talks about a lecture concert series, beginning with a budget the first year of $5,000, which allowed them to bring in local dancers, something they still try and do every year. Eventually, the budget expanded, and  starting in Fall 2025 they will be able to bring in artists from foreign countries. This spring, the series welcomes Asik艂uk Topkok and the Pavva I帽upiaq Dancers, who will present I帽upiaq culture through song and dance.

Along with funding the series, she donates her time to educating others on music in the circumpolar North through blog articles for the university about the performances.

鈥淐atherine's funding for CMS has opened the department, its students and faculty up to workshops, events, and lectures that would otherwise not be possible,鈥 said Dr. Sean Dowgray, term instructor of percussion at 性欲社. 鈥淎s far as I am aware, there is no other university that offers an annual series focusing on music and arts from the circumpolar region of the world on a regular basis.鈥

They offer scholarly lectures, workshops, and public concert events rooted in the various identities in this region of the world, he added. 鈥淚 think it's fascinating to offer a series that says, 鈥榃e're looking at art and music that is rooted in the unique properties of this particular area of the Earth and its very distinctive physical features.鈥 This does happen within other geographies, but as far as I know, it is not as well established this far north.鈥

The series also serves as a building block in advancing the music program, he said, and embracing the geographic location.

Visiting and experiencing these performances, Madsen said, reminds her of being a kid and attending theater productions, concerts and movies.

Once when she created a musical program in a hospital, a doctor told her, 鈥淲hen you play music in a hospital, you鈥檙e playing to the part of people that鈥檚 not wounded or sick. You鈥檙e reminding them of who they are, not what they have.鈥

In this way, she said, indigenous music and its history are 鈥渂ound up with life.鈥 鈥淭here鈥檚 something life-giving about that kind of music.鈥

Others who may have extra funds they are wondering how to use, she recommends, should think about something they connect strongly with. 鈥淵ou can start small and build,鈥 she said. 鈥淵ou have to take what comes and work with it.鈥

On one of her campus visits, she remembers seeing the banners saying, 鈥淵ou belong here.鈥

鈥淎nd I sort of feel I do,鈥 she said. 鈥淚t may not have been aimed at me, but to be there not as a tourist, but as somebody who has a small influence.鈥

Term Assistant Professor Sean Dowgray leads the Circumpolar Music Series February 21st event at the 性欲社 Davis Concert Hall
性欲社 Photo by Leif Van Cise
The Circumpolar Music Series led by Term Assistant Professor, Sean Dowgray, accompanied by fellow Music Department students, faculty, and volunteers at the Davis Concert Hall, on Feb. 21, 2025.
Support Northern Music Traditions at 性欲社

Catherine Madsen鈥檚 passion for 性欲社 and Arctic music led her to create the Circumpolar Music Series, a program bringing Indigenous and Northern music to campus through concerts, workshops, and lectures. Now, she鈥檚 inviting others to join her in growing this vision!

As part of 性欲社 Giving Day (March 25-27), Catherine has pledged $7,500 to ethnomusicology鈥攂ut we need 10 donors to unlock it. Your gift, no matter the size, helps expand the study of Northern music traditions at 性欲社.

Be one of the 10 to make an impact!

**While only donations made between March 25-March 27, 2025 count towards unlocking the gift, your support is always welcome. Visit the Circumpolar Music Series page for more information.